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Unustatud kivid: megaliitkarjääride saladused

Unustatud kivid: megaliitkarjääride saladused



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Göbekli Tepe, Türgi: asub pool miili risti paekivist platool pühast peamisest küngast, on 22 jalga pikk t-kujuline monoliit, mis, nagu paljud teisedki näited üle maailma, ei saanud kunagi valmis ega kolinud peatemplisse saidil.

Karahan Tepe, Türgi: Gobekli Tepe sõsarkohas, kuulsas 18 jala pikkuses lõpetamata T-kujulises sambas, mis on üle 10 500 aasta vana, elab endiselt karjääris.

Aswan, Egiptus. Kuulsates graniidikarjäärides asub kõigi aegade suurim obelisk. Graniidist välja lõigatud ja hinnanguliselt 1168 tonni kaalunud ei eemaldatud seda kunagi karjäärist, millega Vana -Egiptuse püramiidid ja templid ehitati.

Rapa Nui (Lihavõttesaar): Lihavõttesaare vulkaani serva kõrval kivikarjääris lamades on see saare suurim Moai. Lõpetamata ja magades ootab see jumalate tagasitulekut, et 270 tonni kaaluv Moai oma kohale püstitada.

Olmec Heartland. Mehhiko: Mehhiko lahe rannikul Tuxtla mägedes peidetud kaevandati Olmeci tohutute basaltpea loomiseks salajane karjäär. Nad vedasid seda läbi džunglite, soode ja mägede ning šamaanid austavad seda siiani

Stonehenge, Inglismaa: 140 miili Suurbritannia peamisest kiviringist lääne pool, Walesi kaugel kivisel mäenõlval, asuvad sinakivide jäänused, millel väidetavalt on maagiline tervendav jõud ja mille Merlin toimetas Stonehenge'i.

Püha org, Peruu: Peruu Ollantaytambo kindluse vastas mäetipul ääristavad hiiglaslikud täiuslikult lõigatud megaliitplokid unustatud tee karjäärist mäe põhja, üle jõe.

Baalbek, Liibanon: Maailma suurim monoliit, mis kaalub jahmatavalt 1242 tonni, istub endiselt lähedal asuvas Baalbeki karjääris. Keegi ei tea, kuidas nad selle kohale viiksid.

Tänapäeval: vabamüürlased viivad endiselt rituaale läbi iidsetes karjäärides ja kohalikud šamaanid austavad neid pühade kohtadena.

Need on vaid mõned näited sellest, mis minu arvates on osa väga iidsetest traditsioonidest, millest megaliitide ehitajad osa võtsid, mis on edasi antud mitme põlvkonna jooksul ja mis on osa rituaalsest tehnikast, mida võis näha kivide viimiseks. elu ”ja immutada neid„ jõuga ”ning jätta vihjed tulevastele põlvedele, kuidas nad töötasid, karjäärisid ja neid kive liigutasid. Võib juhtuda, et ainult tänapäeva vabamüürlastel ja hõimuühiskondadel on endiselt juurdepääs nendele teadmistele, kuid nüüd rituaalsemas vormis. Kuid pioneerid nagu Edward Leedskalin, kes ehitasid Coral Castle'i, ja insenerid, nagu Chris Dunn, on osa sajandipikkustest jõupingutustest, et paljastada mõned nende saladused.

Nagu näeme neid saite üle maailma uurides, ilmneb kiiresti, et iidsed inimesed jätsid meelega „allkirjad”, mis sisaldasid abstraktset stiili, tehnikat, reljeefseid nikerdusi ja isegi varjatud geomeetriat, metroloogiat, geodeesiat ja arvusüsteeme. Need varjatud tegevused kestsid tuhandeid aastaid ja võivad anda vihje nende mõtteviisile ja vaimsele eesmärgile. Täna imestame nende saavutuste üle, nii et ehk peaksime austama nende uskumatut oskust ja leidlikkust ning uurima lähemalt megaliitkarjääride saladusi.

Göbekli Tepe, Türgi

Vähemalt 6500 aastat vanem kui Stonehenge ja 7000 aastat enne püramiidide ehitamist istus Türgi kaguosas praeguse Sanliurfa (iidne Edessa) lähedal mägede kohal kultuslik megaliitkompleks. Göbekli Tepe õitses hämmastavalt 12 000–14 000 aastat tagasi ning tänapäeval on säilinud jäänustel endiselt kõrge rafineerituse ja megaliitilise inseneri oskus, kuid mitte kõik monoliidid ei jõudnud põhikohale.

Gobekli Tepe, Türgi kunstniku rekonstrueerimine. Fernando Baptista illustratsioon

Lähedal asuvas lubjakivikarjääris asub unustatud 22-jalane t-kujuline sammas, mis on mitu jalga kõrgem kui kõik, mis saidil veel avastatud. Esiteks võib see olla tõsi, et kui ehitajad neid kaevandasid, muudavad nad need pisut suuremaks kui vaja, kuna nad oleksid pidanud need täpselt maha raiuma ja paljastama aeglaselt siin leitud ilusad reljeefsed nikerdused. Lõpetamata monoliit toetub peamisele künkale umbes poole miili kaugusel kergel nõlval. Klaus Schmidt ja tema meeskond analüüsisid unustatud monoliiti ja jõudsid järeldusele, et kasutatud tehnika pidi olema teostatud. ümbritsedes nende väliskujusid väikese kraaviga, mis tehti selle kivitööriistade abil kivist välja noppides. Teise sammuna viidi soovitud objekt kiviselt pinnalt välja, kuid see polnud lihtne ülesanne, kuid see nõudis planeerimist, jõudu, oskusi ja märkimisväärset tööjõudu ”(1). Siis pidid nad muidugi tõstma, transportima ja püstitama sambaid, mis ulatuvad mõnest tonnist umbes 40 tonnini. Karjääri sammas on hinnanguliselt vähemalt 50 tonni. Pole paha, põllumajanduseelsele jahimeeste-korilaste rühmale.

Andrew Collins, raamatu autor Göbekli Tepe: Jumalate teke , ühinesin mina ja grupiga megalitomaanidest, et uurida lõpetamata monoliiti 2014. aasta juunis. Silma kõrguselt on seda raske välja selgitada, kuid kui ronite üles, näete tähe „T” ligikaudset kontuuri ja tõendeid tööriistamärkide kohta . Selle paksus ületab kõike, mis põhikohas olemas, nii et nad oleksid võinud sellest välja saada vähemalt kaks T-kujulist samba. Selle suurus näitab, et need olid pärit kõige varasemast faasist, mida Klaus Schmidt mainis, võivad olla palju vanemad (2), isegi kuni 14 000 aastat vanad.

Tagasi põhiplatsi poole kõndides märkasime ruudukujulisi paekiviplokke. Selle kõrval oli teise t-kujulise samba ebamäärane kontuur. See oli umbes 12 jalga pikk ja oli halvasti ilmastikukindel. Seda ei ole kunagi varem salvestatud ja see oli veel üks näide selle kohta, kuidas nad selle kiviga töötasid, et toota keerulisi komplekteeritud monoliite, mis seisavad endiselt peamistes korpustes.

Vaadates mõlema monoliidi ümbruses asuvat krobelist lubjakivikivimit ja teades, et ainsad tööriistad, mis neil teadaolevalt olid, olid obsidiaan, veeris ja muud kivid, on tähelepanuväärne, et nii keerukas kivitöö võis seal nii arenenud olekus tekkida. Varasemad saidid, mis näitavad seda keerukust, ei ole varasemad, välja arvatud võib -olla umbes sel ajal valitsenud megaliitsed seinad, kivitorn ja Jericho aluspõhja kraav (3), kuid eksperdid väidavad, et seal peab olema -kultuur, mis eksisteeris ammu enne 10 000 -12 000 eKr, et kuidagi seletada Göbekli kivimüüjate edasijõudnud oskusi. See ei selgita ikka veel abstraktset kunsti- ja arhitektuuristiili, seega teen ettepaneku, et sügav ilmutus oleks ilmutus. Kas see oli mõne kohaliku psühhoaktiivse taime avastamine või reaktsioon kataklüsmile või mõni muu tundmatu äratus, võis juhtuda paradigma muutmise sündmus, mis stimuleeris neoliitikumi revolutsiooni ja mille tulemuseks oli selliste objektide ehitamine nagu Göbekli Tepe. (Vt Andrew Collins Göbekli Tepe: Jumalate teke põhjalikuks uurimiseks Göbekli ehitajate päritolu kohta.)

Kommentaar:

Minu arvates on põnev, et isegi arheoloog Klaus Schmidt vihjas, et kivi kaevandamine võis olla templi ehitamise oluline osa: " Vana-Egiptuses oli pühade sammaste lohistamine ja püstitamine rituaalsete sündmuste oluline osa ning tundub, et kiviaegsete T-sammaste osas poleks mingit vahet ”(4). Ta jätkab ka sellega, et võib olla mingisugune ühine päritolu, sest Vana -Egiptuse obeliskid tulevad tavaliselt paaridena templite ette. Göbeklil on sissepääsu juures sageli kaks väiksemat samba, suurimad T-piilarid on kesta põhiosa keskel, justkui peaks initsiaator (või külaline) nende vahel kõndima. Stonehenge'is oli varaseimas faasis sissepääsu juures kaks monoliiti, mis viitab sellele, et see võib kujutada endast sissepääsu teise domeeni, tõenäoliselt "jumalate" domeeni - ükskõik kes nad olid. Göbekli Tepe kõige raskem T-kujuline püstine sammas on kõige rohkem 20–30 tonni, samas kui lähedalasuv karjäär on selgelt palju suurem ja hinnanguliselt 50 pluss tonni. Nagu Egiptuses Aswani karjääris, lamav Moai Lihavõttesaarel ja „Lõuna kivi” Baalbekis, Liibanonis, on see näide „jumalate” allkirjast, mille kohaselt nad loobusid tahtlikult suurimast monoliidist ega kunagi tegelikult eemaldas selle täielikult karjäärist? Ja kas karjäär ise arvati olevat "püha"? Sellesse süveneme selle sarja järgmises osas, kuna megaliitkarjäärides toimuvad endiselt rituaalid ja traditsioonid.

Liituge Hugh ja Andrew Collinsiga Göbekli Tepe ja Karahan Tepe juures: 1. - 10. september 2014 ja 15. novembril Londonis toimuval konverentsil Origins. th.

Teine osa: Aswani karjäär, Egiptus ja Karahan Tepe, Türgi

Hugh Newmani poolt

Viited

1.) Klaus Schmidt, Göbekli Tepe: kiviaja pühamu Kagu-Anatoolias lk 99

2.) www.grahamhancock.com/forum/HancockG9-Mystery-Lost-Civilization.php

3.) Andrew Collins, Göbekli Tepe: Jumalate teke lk.128

4.) Klaus Schmidt, Göbekli Tepe: kiviaja pühamu Kagu-Anatoolias lk 123


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Mis pani Stonehenge'i ehitajad koguma suuri kive 180 miili kaugusel?

5000 aasta pärast hakkavad teadlased avama üht Stonehenge'i ümbritsevat suurimat saladust.

Geoloogid leidsid juba ammu kümneid neoliitikumälestisi ja#x2019 väiksemaid “ bluestones ” kuni Lääne -Walesi Preseli mägedeni, umbes 180 miili kaugusel Stonehenge'ist. Nüüd ulatub uus uuring kaugemale kui kunagi varem, selgitades välja kahe sinikivikarjääri täpse asukoha, samuti selle, millal ja kuidas kivid võisid eemaldada.

Massiivsed liivakiviplaadid ehk sarsenid, mida kasutati Stonehenge'i ehitamiseks Lõuna -Inglismaal ja Salisbury tasandikul, näivad tõenäoliselt pärinevat lähedalasuvatest karjääridest või võivad ehituse alustamisel olla isegi maapinnale hajutatud. Kuid monumendi ja#80 sinise kivi päritolu (millest umbes 40 on tänaseni säilinud) oli raskem lahendada.

Kui geoloog Herbert Henry Thomas avastas 1923. aastal Preseli mägedesse esmakordselt kümneid Stonehenge'i ja#x201Cbluestones ”, siis teadlaste meeskond täpsustas hiljuti nende allika teistsugusele kivimite paljandile, kui Thomas algselt tuvastas.

Carn Goedog, Stonehenge'ist leitud rüoliitkivimite allikas.

Londoni ülikooli kolledž

Aastal avaldatud uus uuring Antiikajakiri, tugineb selle paljandi arheoloogide ja geoloogide meeskonna Carn Goedog kaheksa aasta pikkustele väljakaevamistele, aga ka teisele väiksemale paljandile allpool orus, tuntud kui Craig Rhos-y-felin. Nad leidsid, et vähemalt viis Stonehenge'i ja#x2019-ndaid täpilisi doleriidist bluestones —, mis on nimetatud valgete täppide järgi, mis ilmuvad tardekivistesse kivimitesse, on pärit Carn Goedogilt, ja tuvastasid Craig Rhos-y-felini ühe tüüpi allikana Stonehenge'is leitud rioliidist (teist tüüpi tardkivim).

Võib -olla veelgi olulisem oli see, et teadlased suutsid kahel paljandil kaevandada umbes 3000 eKr, pärast seda, kui olid avastanud mõlemas kohas selle vanuse söetükid. Nüüd usuvad nad, et Stonehenge sai alguse karedate sinikivist sammaste ringist aukudes, mida tuntakse Aubrey aukude nime all, samas kui sarsenid lisati umbes 500 aastat hiljem.

Nende avastuste puhul on tõeliselt põnev see, et nad viivad meid sammukese lähemale Stonehenge'i avamisele ja suurim saladus ning miks selle kivid nii kaugelt tulid, "ütles meeskonna juht Mike Parker Pearson Londoni Ülikooli kolledžist. . 𠇎 Iga teine ​​neoliitikumälestis Euroopas ehitati megaliitidest, mis olid toodud mitte rohkem kui 10 miili kauguselt. "

Pearsoni ja tema kolleegide sõnul moodustasid sinikivipaljandid loomulikult vertikaalseid sambaid. See tähendab, et neoliitikumi karjääritöötajad oleksid võinud need sambad kaljupinnast suhteliselt kergesti eraldada, lükates kiilud nende vahele valmis vertikaalsetesse vuukidesse. See oleks võtnud palju vähem vaeva, kui nõuti Vana -Egiptuse kivikarjäärides, kus töötajad pidid tahketest kivimitest obeliskid nikerdama.

Uurijad ütlevad, et kahetonnised kivid oleks siis langetatud puukelkudele ja lohistatud või kantud ligi 200 miili oma praegusesse asukohta, Salisbury tasandikule. Uuring lisab üha rohkem tõendeid selle teooria vastu, et kive transporditi meritsi mööda Walesi rannikut, mis sai populaarseks pärast seda, kui Thomas 1920. aastatel esimest korda nende kauget päritolu pakkus.

Mõned inimesed arvavad, et sinikivid võeti lõunasse ja paigutati parvedele või paatide vahele, seejärel aerutati mööda Bristoli kanalit ja mööda Bristol Avonit Salisbury Plaini suunas, märkis uuringu kaasautor Kate Welham. “ Kuid need karjäärid asuvad Preseli mägede põhjaküljel, nii et megaliidid oleksid võinud minna lihtsalt maismaalt kuni Salisbury tasandikuni. ”

Siiski on endiselt ebaselge, miks Stonehenge'i eelajaloolised ehitajad valisid oma tohutu monumendi ehitamiseks sellised eksootilised kivid. Tegelikult on ajakirjas väitnud veel üks teadlaste rühm Arheoloogia Walesis et Preseli mägedes ei ole tõendeid karjääritegevusest ning kive ja kive transporditi palju tõenäolisemalt liustiku, mitte inimtegevuse kaudu.

Parker Pearsoni sõnul pole tema meeskond oma uurimistega kaugeltki lõppenud: “We ’ tahame nüüd välja selgitada, mis oli 5000 aastat tagasi Preseli mägedes nii erilist ja kas siin olid varem olulised kiviringid bluestones viidi Stonehenge'i. ”


Varjatud füüsika

Lubage mul siin esitada oma Magnum Opus, mis sisaldab minu suurimaid avastusi ajastu keelatud teadmiste kohta, esitades ainulaadseid tõendeid, mis kinnitavad kunagise võimsa iidse tsivilisatsiooni olemasolu, mis on alandatud ja peaaegu ajas täielikult kadunud. Veelgi enam, minu uurimistöö käigus sai väga selgeks, nagu teised on enne mind märkinud, et teatud kaasaegsed teaduslikud arengud, mis on seotud erinevate sõjaliste/korporatiivsete huvidega, näitavad, et mõni peen jõud on hästi teadlik selle kadunud tsivilisatsiooni saavutustest. oma okultistlikku teadust ümber kujundada.

Kõik, mis seob kõik kokku ja kinnitab seda reaalsust, on möödapääsmatud vihjed, millest nii iidsed inimesed kui ka nende kaasaegsed teaduslikud kolleegid mõistsid palju universaalsest mõõdust - esoteerilise füüsika võtmest.   Varjatud füüsika, ilmnevad selle universaalse mõõtesüsteemi sügavad saladused. Kui teil oleks eliidi poolt rangelt kaitstud ja masside eest tagasi hoitud keelatud teadmised, siis on see teie oma. Mõelge siis minu viimases raamatus esitatud esoteerilistele saladustele, Varjatud füüsika.

Peamised teemavaldkonnad hõlmavad järgmist:

    Muistsete megaliitmälestiste range uurimine, sealhulgas Giza ja Stonehenge'i suur püramiid. Kindlaid tõendeid tahtliku paigutamise kohta globaalses mastaabis, mis paratamatult paljastab kadunud tsivilisatsiooni kõrgetasemelisi teadmisi matemaatikast ja geomeetriast.
  • Tõestus selle kohta, et püha geomeetria teadust avastatakse uuesti. Kinnitus, et kaasaegne teaduslik eliit paigutab teatud võtmekonstruktsioonid mineviku megaliitmälestiste paigutusega kooskõlla.

Kõvakaaneline raamat: 440 lehekülge

1. Kosmilise harmoonia kadunud ajastu
2. Taevase maailma geomeetria
3. Maa-Kuu süsteem muutus
4. Ideaalne sfääriline konfiguratsioon
5. Kuu sünoodiline kuu tsükkel
6. Ideaalne Maa orbiit ja valguse kiirus
7. Maa magnetväljad
8. Pööripäevade pretsessioon
9. Gravitatsiooni salafüüsika
10. Ideaalne harmooniline päikesesüsteem
11. Universaalse kosmilise harmoonia aeg

12. Giza suur püramiid
13. Stonehenge Suurbritanniast
14. Marsi kolossaalsed püramiidid
15. Nikola Tesla (1856 - 1943 pKr)
16. Varjatud USA sõjaväeluure baasid
17. Tuumarelvade salafüüsika

Lisa A: Proportsionaalsuse seadused
Lisa B: Hinnatud tuumasündmusi
Lisa C: Bruce Cathie tuumateooriad


Baalbeki megaliidid: kolossaalne müsteerium üle 1600 tonni kaaluvatest kividest

Amazon Services LLC Associates programmis osalejana võib see sait teenida kvalifitseeritud ostudest. Samuti võime teenida vahendustasusid teistelt jaemüügi veebisaitidelt ostude eest.

Baalbek on Liibanoni arheoloogilise leiukoha nimi. See on hiiglaslik megaliitplatvorm ja selle tegelik vanus jääb saladuseks arheoloogidele ja uurijatele, kes suudavad vaid oletada selle iidse megaliitpaiga tegelikku päritolu. See asub Liibanonist ida pool, 86 kilomeetrit Beiruti linnast kirdes, Beqaa orus, Süüria piiri lähedal. Seda peetakse väga pühaks paigaks, kuna tempel ehitati varemetekünka peale, nii et isegi enne Kreeka ja Rooma aegu peeti seda majesteetlikku kohta pühaks.

Peavoolu arheoloogial on saidi täpse vanuse osas erinevad seisukohad. Tavaliste arheoloogide sõnul oli see foiniikia pühakoda, mis oli pühendatud jumalale Baal, see oli Kreeka linn nimega Heliopolis (Päikese linn) ja alates keiser Augustuse ajast oli see Rooma koloonia. Tõde on see, et täpne vanus jääb saladuseks, kuid mõned teadlased peavad seda iidset megaliitikat vähemalt 12 000 aasta vanuseks, kuid võivad olla üle 20 000 aasta vanad.

Imetlust, hämmastust ja poleemikat on arheoloogide kogukonnas tekitanud terrass või platvorm, millel seisis Rooma tempel jumala Jupiteri auks ja arvestades vundamendi kivide suurust, on väga ebatõenäoline, et see oli kreeka keel või Rooma.

Suur platvorm, millele tempel ehitati, on majesteetlik, kuid tänapäeval on püsti vaid mõned veerud. See on konstruktsioon, mida kaasaegsed arheoloogid ja insenerid ei saa selgitada, arvestades ametlikult ja#8220 aktsepteeritud ajalugu ja vanust. Mõned usuvad, et ajalugu on Baalbeki osas kõik valesti aru saanud.

Nende intrigeerivamate megaliitide hulgas on Trilithon ja siin on lahe osa: kolm kolossaalset plokki, mille pikkus on 22 meetrit, kõrgus 4,5 m ja laius 3,5 m. Nende kaal jääb vahemikku üks kuni kaks tuhat tonni. Need kolm tohutut megaliiti tonni kuue graniidiploki reas, mille mõõtmed on 10 meetrit ja 4 kõrgust ning mis kaaluvad üle 300 tonni. Mõned teadlased väidavad, et need megaliidid ei ole „vundamendikivid”, kuna neid on alati kuulutatud nii, nagu tundub, nagu oleks hädavajalik, et suurimad kivid asuksid ülaosas, mitte allosas, moodustades terviku hoonest saab ümberpööratud struktuur.

Niisiis, kuidas neil õnnestus neid uskumatuid struktuure transportida? Tänapäeval on tänapäevastel inseneridel 50 tonnise ploki transportimine raske. Tundus, et iidsetel inimestel oli võimalus hõlpsasti transportida uskumatu suurusega kiviplokke. Midagi, mida me tänapäeval nii lihtsalt teha ei suuda.

Ametlik selgitus, mida arheoloogid soovitavad, on see, et tuhanded mehed, lihtsa tehnoloogiaga, nagu pulgad ja kivid, osalesid nende tohutute kiviplokkide ehitamisel ja transportimisel. Mõned teadlased viitavad sellele, et see on midagi matemaatiliselt ebatõenäolist ja peaaegu võimatu, liigutades ja tõstes ülisuurte tööriistadega tohutult kive koos meesrühmadega. Nii et kui neil polnud sellist tehnoloogiat nagu meil täna, siis kuidas nad seda tegid?

Kas on võimalik, et tipptehnoloogia oli iidsetele inseneridele kättesaadav tuhandeid aastaid tagasi? Midagi ei mahu kogu loosse, kuna mõistatusi on liiga palju. Me peame kindlasti millestki olulisest ilma jääma, millestki, mis võib tegelikult selgitada, kuidas iidsetel inimestel üle maailma õnnestus neid uskumatuid ehitisi tuhandeid aastaid tagasi ehitada.

Baalbek Liibanonis ehitati kiviplokkidega, mis ulatuvad vahemikus 1,00 kuni 1600 tonni.

Need kivid saadi karjääridest, mis asusid vähemalt kilomeetri kaugusel, mis ei pruugi nii kaugelt kõlada, kuid ärge unustage nende kivide kaalu. Kujutage ette masinate kogust ja veoautode suurust, mida me täna kasutaksime nende kiviplokkide transportimiseks.

Kuidas on võimalik, et iidsetel inimestel õnnestus need tohutud klotsid transportida, paigutada ja üksteisega ideaalselt sobitada. Peavoolu arheoloogial pole aimugi, kuidas nad seda tegid.

Kes, millal ja miks ehitas Baalbeki? Need on Baalbeki puhul enim küsitud küsimused. Need tohutud megaliidid lõigati, transporditi läbi väga karmi maastiku ja asetati seejärel suure täpsusega oma kohale, nii et oleks võimalik saavutada tugev ja kõigutamatu alus, mille pindala on üle 400 000 m2.

Mis puutub saidi vanusesse, siis mõned teadlased usuvad, et Baalbeki päritolu on palju vanem kui Rooma okupatsioon. Teadlaste vahel puudub üksmeel selles, kes olid nende muljetavaldavate ehitiste ehitajad või millal need ehitati, kuidas ja miks.

Nende megaliitide täpsus on hingemattev, need on paigutatud nii, et nende vahele ei mahu ühtegi paberilehte, mõned usuvad, et on peaaegu võimatu, et seda megaliitikat võib omistada foiniikia, kreeka ja rooma ehitajatele , ükskõik kui tublid nad arhitektid ja insenerid oleksid võinud olla.

Peavoolu teadus ei suuda adekvaatselt selgitada selle iidse megaliitpaiga ehitamise saladust. Mõned teadlased on pakkunud alternatiivseid selgitusi, Chatelaini sõnul pidid selle suurusega klotsid nikerdama ja sinna paigutama hiiglased või tsivilisatsiooni liikmed, kes teadsid levitatsiooni ja antigravitatsiooni saladusi “.

Andrew Collinsi sõnul ehitas Baalbeki esimese linna enne suurt veeuputust Aadama poeg Kain, kelle Jumal pagendas Nodi maale, mis oli Eedenist ida pool ja oma hea venna Aabeli tapmise eest, ja ta nimetas seda oma poja Eenoki järgi. Nende sõnul langes tsitadell veeuputuse ajal varemetesse ja selle ehitas palju hiljem uuesti üles hiiglaste rass, keda juhtis Nimrod, "võimas jahimees" ja "Šinaari kuningas". Genesis.

Nagu paljud teised iidsed paigad, nende hulgas Puma Punku, Ollantaytambo, Teotihuacan jne. Baalbekis asuva megaliitplatsi rajamine oli ehitusetapis järsult peatunud. Üllataval kombel on uurijad selle lähedusest leidnud veel ühe tohutu kiviploki. See jääb osaliselt maetud ja selle mõõtmed on järgmised: pikkus 19,6 meetrit (64 jalga), laius 6 meetrit (19,6 jalga) ja kõrgus umbes 5,5 meetrit. Teadlased usuvad, et selle tohutu kiviploki kaal on umbes 1650 tonni, mis asetaks selle suurimaks teadaolevaks kiviplokiks antiikajast. Küsimus on selles, miks nad ehituse peatasid?


Avage suurte megaliitlike saitide saladused

Seda ei tea paljud Morbihan on koduks hindamatule aardele: maailma suurim megaliitlike alade kontsentratsioon ühes kohas. Seda pärandit ümbritsevad lood ja legendid, mis panevad igas vanuses külastajaid soovima rohkem teada saada.

© Emmanuel Berthier © Emmanuel Berthier

Carnac ja selle salapärased menhiiride joondused

Maanteel saabudes ei saa mööda vaadata 4 km pikkuste menhiiride põldude nägemisest. Need kivid on ideaalselt joondatud ja asetati sinna tahtlikult millalgi neoliitikumi perioodil. Nende esialgse funktsiooni ümbritsev salapära on põnev. Kui soovite rohkem teada saada, külastage avastuskeskust,Maison des Mégalithes”, Kust leiate näitusi, filme ja interaktiivseid väljapanekuid, mis selgitavad kivide erinevaid aspekte. Giidiga ekskursioonid aitavad teil hinnata saidi keerukust, samas kui lapsed saavad iga päev ja eelajaloolistel stsenaariumidel põhinevate rollimängudega liituda. Päikesetõusust loojanguni muutub atmosfäär ja kivid teevad oma võlu.

© Alexandre Lamoureux © Les Globe blogijad © Les Globe blogijad

Locmariaquer, ülisuur menhir

Locmariaqueri megaliitsaidi külastamine on liigutav kogemus. Üks kividest, suur Er Grah purustatud menhir, on väga uudishimulik. See asub maapinnal neljas tükis, kuid kunagi oli see 20 meetrit kõrge ja kaalus 300 tonni. Kivi hämmastab külastajaid alati, olenemata nende vanusest. On uskumatu ette kujutada, kuidas seda toona transporditi, ja sama kehtib ka ülejäänud 18 monumentaalse püstkivi kohta. Table Des marchands (kaupmeeste tabel) näeb välja nagu suurepärane peidukoht peitust mängivatele lastele, kuid tegelikult on see suurepärane näide hämmastavate nikerdustega kaunistatud kollektiivsest hauakambrist. Koos Er Grah tumulusega, mis on matusearhitektuuri monumentaalne näide, moodustab see tähelepanuväärse saidi, mis annab teile palju mõtlemisainet.

© Les Globe blogijad © Alexandre Lamoureux

Gavrinis tumulus, peidetud aare

Some of the Morbihan megaliths are hidden away, which is the case for the Gavrinis tumulus. When it was erected, its position on a high point meant that it was easily seen, but today it is hidden by pine-trees and can only be accessed by boat. When you enter the site, you’ll immediately notice the beauty of the carved stelæ, the ancient gravestones. Although some of the designs are used several times, each stone reveals the work of an artist with a unique style. Your visit will let you step out of time, giving you a lesson in prehistory in a pastoral setting.

A surprising bit of trivia is that one of the stones in the tumulus roof is part of a gravestone from the ‘Table des Marchands’ passage grave at Locmariaquer. It just goes to show that even back then they were thinking about recycling!

To visit nearby: the Château de Suscinio

This medieval castle rising up out of the marshes and woodland is a perfect place for a family outing. Rooted in its own time, the castle offers an interactive exhibition about local history and legends. If you take a walk or bike ride along one of the pathways across the marshland that surrounds the castle, you’ll find an unexpected wealth of plants and wildlife.

© Les Globe Blogueurs

Forgotten Stones: Secrets of the Megalithic Quarries - History

FILMED AT MEGALITHOMANIA 2015 IN HD.
All talks plus Speakers Forum available in the Box-Set for only £15.99. Buy it here:

PATRICK MACMANAWAY- Megaliths, Dragons and Agriculture, Ancient and Modern

Research has shown a 300% yield increase in maize after a pre-germination period in a pyramid &ndash a 400% increase in rice germination was observed in a contemporary on-farm stone circle. Balancing dragon-line energies and blessing fields can show a 10-45% yield increase with healthier and more pest and disease-resistant crops, and increased fertility and health in animals. Patrick will present insights and results of subtle-energy work in agriculture from the UK, US and Australia.

Dr Patrick MacManaway is a second-generation practitioner of healing arts and geomancy with an international teaching and consulting practice. Past-President of the British Society of Dowsers, he holds a degree in Medicine from the University of Edinburgh, and is the author of &ldquoEnergy Dowsing for Health&rdquo, Cultivating the Light Body&rdquo and &ldquoThe Keys to Grace&rdquo. www.patrickmacmanaway.com


RICHARD HEATH - Sacred Number and the Lords of Time
The John Michell Memorial Lecture - hosted by Christine Rhone

Richard's presentation will show how astronomy and land surveying became possible to late stone age society through the simple manipulation of numbers held as lengths. The idea of a previous super-civilisation, predating the megalithic, becomes unnecessary if evidence from the Megalithic can be re-interpreted - as able to achieve an accurate geocentric astronomy and model of the earth, without requiring modern arithmetic or equipment. By recovering the achievements of the megalith builders, the projection of unproven ideas (such as savage rituals) onto Stonehenge and other such sites can be seen to be an uncreative fiction. His latest book can help relearn megalithic numerology and de-project savages, in order to get to the raison d'etre of megalithic societies.

Richard Heath has degrees in systems science and is the author of Matrix of Creation, Sacred Number and the Origins of Civilization, and Precessional Time and the Evolution of Consciousness. He is Robin Heath's brother and an old friend and collaborater with John Michell, who he travelled to Lundy Island with some years ago as part of their research. He lives in Perthshire, Scotland. www.richardheath.info

JIM VIEIRA (Live from the U.S.) - Megaliths, Stonework, and Giants from Ancient New England

A stonemason by trade, Jim Vieira has studied indigenous American oral history and historical texts in an attempt to better understand humanities past. In this lecture he will focus on the megaliths, stonework and ancient cultures of New England, and examine the skeletal remains found in Northeast America, that led him into another area of research - giants. Jim will also explore the cover-up that has suppressed the origins of the megaliths, and the 'tall ones' who may have been involved in their construction. Jim is also presenting on Sunday night. (Both lectures will be Live via Skype from America.)

Jim Vieira is a stonemason, writer, researcher and member of the New England Antiquities Research Association. He has studied the mysteries of Ancient America for over 20 years and is a frequent contributor to the Shelburne Falls Independent and Ancient American Magazine, and he Jim Vieira has presented at the prestigious TEDX Conference and was a guest on Coast to Coast with George Noory. His research into stonework, megalithic sites and mounds led him to the Megalithomania Conference in Connecticut where he met Hugh Newman and Ross Hamilton, which led Jim to the mystery of giants when he uncovered an account of a giant skeleton being unearthed in the neighboring town of Deerfield. He is currently writing a book with fellow researcher Hugh Newman, and is the star of History Channel's 'Search for the Lost Giants'.

CHRIS H. HARDY Ph.D - The Sacred Network: Leys, Megaliths and the French Connection

First marked by the standing stones of our megalithic ancestors, the world&rsquos sacred sites are not only places of spiritual energy but also hubs of cosmic energy and earthly energy. Generation upon generation has recognized the power of these sites, with the result that each dominant culture builds their religious structures on the same spots. Chris Hardy shows how the world&rsquos sacred sites coincide with the intersections of energetic waves from the earth&rsquos geomagnetic field and how&ndashvia their megaliths, temples, and steeples&ndashthese sites act as antennae for the energies of the cosmos. Delving deeply in to Paris&rsquos sacred network, she also explores the intricate geometrical patterns created by the alignments of churches and monuments, such as pentagrams and Stars of David.

Cognitive and systems scientist, PhD in psychological anthropology and ex-researcher at Princeton&rsquos Psychophysical Research Laboratories, Chris H. Hardy has spent the last two decades investigating nonlocal consciousness and thought-provoking mind potentials. She is author of more than fifty papers and about fifteen books on these subjects. Chris H. Hardy spends a lot of time traveling and exploring various knowledge systems and cultures, maintaining a keen interest in eastern religions, shamanism, and esoterica. She presents regularly at various international conferences, and is a member of several scientific societies based in the US, exploring system theory, chaos theory, parapsychology, and consciousness studies. www.chris-h-hardy-dna-of-the-gods.blogspot.fr/

PETER KNIGHT - Stolen Images: Ancient Sites, Pagan Symbolism and Christianity

In this lecture Peter shows how the Church adopted and assimilated pre-Christian myths and symbols for its own use, to help promote its own agenda. Most Christian icons can be traced back to an older origin, and many churches were also sited on ancient holy places. The Church also took over existing Pagan festivals and turned them into saint's days. This fascinating talk links Egyptian, Norse, Greek, Celtic and other cultures to Christianity.

Peter Knight is the author of several books about sacred sites, dowsing and sacred landscapes, and is an international speaker, dowser, shamanic facilitator, and sacred sites guide. His books delve into the hidden aspects of sites, as he tries to unravel their meanings in a &lsquoholistic&rsquo approach. He also advocates how sacred sites can be accessed today to procur earth healing and personal transformation. www.stoneseeker.net

HUGH NEWMAN - Forgotten Stones: Secrets of the Megalithic Quarries

Is there an ancient tradition of 'the birthplace of the temple', or the quarry where the stones that make up megalithic temples came from? Are megalithic quarries acrtually 'sacred sites'? Hugh has investigated several of these quarries and realised the megalith builders may have passed down a very ancient tradition, through multiple generations, that was part of a ritual technique that was seen to bring the stones to &lsquolife&rsquo and imbue them with &lsquopower&rsquo, as well as leaving clues to future generations as to how they worked, quarried and moved these stones. Modern Freemasons and tribal societies still have access to this knowledge, but now in a more ritualized form. As we&rsquoll see as we survey these sites worldwide, it quickly appears that the ancients deliberately left &lsquosignatures&rsquo, incorporating abstract style, technique, relief carvings, and even hidden geometry, metrology, geodesy and number systems. These covert practices lasted for thousands of years and may give a clue into their mindset and spiritual purpose. Hugh is also presenting on Sunday night.

Hugh Newman is an author, conference organiser, world explorer, tour host, and Megalithomaniac. As well as organising the Megalithomania conferences, he has spoken at events in the UK, Malta, France, Peru, Egypt, Bosnia and North America. He has appeared on BBC TV, Sky Channel 200, Bosnian TV and the History Channel in the last four seasons of 'Ancient Aliens', and recently in 'Search for the Lost Giants'. He is currently writing a book about the Giants with Jim Vieira, and has published four articles about the secrets of the megalithic quarries online. www.hughnewman.co.uk

CHRIS H. HARDY Ph.D - The Sacred Network: EXTENDED WORKSHOP


Sisu

Coral Castle's own promotional material says Edward Leedskalnin was 26 years old when he was suddenly rejected by his 16-year-old fiancée Agnes Skuvst in Latvia, just one day before the wedding. Leaving for the United States, he came down with allegedly terminal tuberculosis, but spontaneously healed, stating that magnets had some effect on his disease. [ tsiteerimine vajalik ]

He spent more than 28 years building Coral Castle, refusing to allow anyone to view him while he worked [ contradictory ] . A few teenagers claimed to have witnessed his work, reporting that he had caused the blocks of coral to move like hydrogen balloons. [5] [ better source needed ] The only advanced tool that Leedskalnin spoke of using was a "perpetual motion holder".

Leedskalnin originally built a castle, which he named "Ed's Place", in Florida City, Florida, around 1923. He purchased the land from Ruben Moser whose wife had assisted him when he had another very bad case of tuberculosis. [6] [7] Florida City, which borders the Everglades, is the southernmost city in the United States that is not on an island. At the time, it was an extremely remote location with very little development. The castle remained in Florida City until about 1936 when Leedskalnin decided to move and take the castle with him. Its second and final location has the mailing address of 28655 South Dixie Highway, Miami, FL 33033, which now appears within the census-generated overlay of Leisure City but which is actually unincorporated county territory. He reportedly chose relocation as a means to protect his privacy when discussion about developing land in the original area of the castle started. [8] He spent three years moving the component structures of Coral Castle 10 miles (16 km) north from Florida City to its current location outside Homestead, Florida.

Leedskalnin named his new place "Rock Gate" after the huge rear swinging gate he built into the back wall. He continued to work on the castle until his death in 1951. The coral pieces that are part of the newer castle, not among those transported from the original location, were quarried on the property only a few feet away from the castle's walls. The pool and the pit beside the southern wall are quarries. The east and west quarries have been filled in.

At Florida City, Leedskalnin charged visitors ten cents apiece to tour the castle grounds, but after moving to Homestead, he asked for donations of twenty five cents, but let visitors enter free if they had no money. There are signs carved into rocks at the front gate to "Ring Bell Twice". He would come down from his living quarters in the second story of the castle tower close to the gate and conduct the tour. He never told anyone who asked him how he made the castle. He would simply answer "It's not difficult if you know how."

When asked why he had built the castle, Leedskalnin would vaguely answer it was for his "Sweet Sixteen". This is widely believed to be a reference to Agnes Skuvst (often misspelled as "Scuffs"). In Leedskalnin's own publication A Book in Every Home, he implies his "Sweet Sixteen" was more an ideal than a reality. According to a Latvian account, the girl existed, but her name was actually Hermīne Lūsis. [9]

When Leedskalnin became ill in November 1951, he put a sign on the door of the front gate "Going to the Hospital" and took the bus to Jackson Memorial Hospital in Miami. He suffered a stroke at one point, either before he left for the hospital or at the hospital. He died twenty-eight days later of pyelonephritis (a kidney infection) at the age of 64. His death certificate noted that his death was a result of "uremia failure of kidneys, as a result of the infection and abscess". [10]

While the property was being investigated, US$3,500 (equivalent to $34,897 in 2020) was found among Leedskalnin's personal belongings. He had made his income from conducting tours, selling pamphlets about various subjects (including magnetic currents) and the sale of a portion of his 10-acre (4.0 ha) property for the construction of U.S. Route 1. [8] As he had no will, the castle became the property of his closest living relative in the United States, a nephew from Michigan named Harry. [11]

Coral Castle's website reports that the nephew was in poor health and he sold the castle to an Illinois family in 1953. However, this story differs from the obituary of a former Coral Castle owner, Julius Levin, a retired jeweler from Chicago, Illinois. The obituary states Levin had purchased the land from the state of Florida in 1952 and may not have been aware there was even a castle on the land. [12]

The new owners turned it into a tourist attraction and changed the name of Rock Gate to Rock Gate Park, and later to Coral Castle. [13]

In January 1981, Levin sold the castle to Coral Castle, Inc., for US$175,000 (equivalent to $498,161 in 2020). [14] The company retains ownership today.

In 1984 the property was listed on the National Register of Historic Places. [1] It was added under the name of "Rock Gate", but the name on the list was changed to "Coral Castle" in 2011. [15]

The stone sign just inside the property that says "Adm. 10c Drop Below" is not original to Coral Castle. Leedskalnin made this sign and placed it in front of his earlier location at Florida City when he was tired of giving a "free show" to visitors who were careless and trampled his shrubbery. This sign was donated by the owners of Ed's Place and placed here in subsequent years. [ tsiteerimine vajalik ]

The grounds of Coral Castle consist of 1,100 short tons (1,000 t) of stones in the form of walls, carvings, furniture, and a castle tower. Commonly mistakenly believed to be made of coral, it is actually made of oolite, also known as oolitic limestone. Oolite is a sedimentary rock composed of small spherical grains of concentrically layered carbonate that may include localized concentrations of fossil shells and coral. Oolite is found throughout southeastern Florida from Palm Beach County to the Florida Keys. [16] Oolite is often found beneath only several inches of topsoil, such as at the Coral Castle site.

The stones are fastened together without mortar. They are set on top of each other using their weight to keep them together. The craftsmanship detail is so fine and the stones are connected with such precision that no light passes through the joints. The 8-foot (2.4 m) tall vertical stones that make up the perimeter wall have a uniform height. Even with the passage of decades the stones have not shifted.

Among the features and carvings are a two-story castle tower that served as Leedskalnin's living quarters (walls consisting of 8-foot-high pieces of stone), an accurate sundial, a Polar telescope, an obelisk, a barbecue, a water well, a fountain, celestial stars and planets, and numerous pieces of furniture. The furniture pieces include a heart-shaped table, a table in the shape of Florida, twenty-five rocking chairs, chairs resembling crescent moons, a bathtub, beds, and a throne.

With few exceptions, the objects are made from single pieces of stone that weigh on average 15 short tons (14 t) each. The largest stone weighs 30 short tons (27 t) and the tallest are two monoliths standing 25 ft (7.6 m) each.

A 9-short-ton (8.2 t) revolving 8-foot tall gate is a famous structure of the castle, documented on the television programs In Search of. [5] and That's Incredible!. [17] The gate is carved so that it fits within a quarter of an inch of the walls. It was well-balanced, reportedly so that a child could open it with the push of a finger. The mystery of the gate's perfectly balanced axis and the ease with which it revolved lasted for decades until it stopped working in 1986. In order to remove it, six men and a 50-short-ton (45 t) crane were used. Once the gate was removed, the engineers discovered how Leedskalnin had centered and balanced it. He had drilled a hole from top to bottom and inserted a metal shaft. The rock rested on an old truck bearing. It was the rusting out of this bearing that resulted in the gate's failure to revolve. Complete with new bearings and shaft, it was set back into place on July 23, 1986. [18] It failed in 2005 and was again repaired however, it does not rotate with the same ease it once did.

Coral Castle remains a popular tourist attraction. Books, magazines, and television programs speculate about how Leedskalnin was able to construct the structure and move stones that weigh many tons. Claims that nobody had ever seen Leedskalnin at work and that he levitated his stones have been repudiated. [ tsiteerimine vajalik ] Orval Irwin reportedly witnessed him quarry his stones and erect parts of his wall, and illustrated the methods in his book Mr. Can't Is Dead. [19] The Nemith Film Collection produced a short film documentary in 1944 of him at work [ contradictory ] . Coral Castle's website states that, "If anyone ever questioned Ed about how he moved the blocks of coral, Ed would only reply that he understood the laws of weight and leverage well." [8] He also stated that he had "discovered the secrets of the pyramids", referring to the Great Pyramid of Giza. [20]


Forgotten Stones: Secrets of the Megalithic Quarries - History

A Short History of The Standing Stones
Orren Whiddon

First 1998
Updated 2008,2010,2014


In comparison to the Megalithic Monuments built by our ancient forebears, the Circle of Standing Stones at Four Quarters is a small undertaking. A 200 foot by 160 foot ellipse requiring perhaps one hundred separate slabs and at least twenty years to build, the Circle seems a very large project to those of us who have taken up its completion. And it does require a very real commitment. But when we think of the level of commitment from the tribes that built the Megalithic Monuments that are our common heritage, our own commitment pales in comparison.

And here lies a lesson and perhaps the real meaning behind the Megalithic Impulse. Because to build these monuments does require a very real commitment that must extend over time and be communicated to others, so the work can be carried on. And it is this shared commitment that imbues these structures with meaning and magic, and causes them to speak a language all can understand, even thousands of years after their creation. It is worth taking a moment to think of the lives and times of the Neolithic agrarian peoples of Europe who constructed the monuments that we are most familiar with.


Their lives, tied as they were to the cycles of the seasons and the wheel of the year, could not have been as physically easy as are ours. And how they were able to find the time in their lives to carry through the ceremonial commitments made by their own forbears. Continuing the creation of these monuments and passing these commitments into the lives of their descendants. A continuity of ceremonial intent shared through many generations that has resulted in The Avebury Complex, Stonehenge, The Carnac Alignments and countless others. It is sobering to compare the spiritual dedication of our own lives and times to the people who made these gifts that have come down to us through the millennia.

In our own time the physical works of Humankind dwarf anything created by the Ancients. We have harnessed the liquid energy accumulated over millions of years within the body of the Earth, we have woven a web of quantified information that spans the planet and is in fact the means through which you are probably reading these words. In fact, we in the West live as Gods returned to Earth, but have we lost their wisdom?

If the physical fact of a Circle of Stones standing upright were important, this would be a child's play to achieve. Simply a matter of money and a few days' application of the technical magic that defines our culture. But the physical fact is not the message here, but rather the context within which these monuments are created. The context of a personal commitment of Sacrifice, Ceremony and Celebration, made by many people.

So we have set upon ourselves the task of creating this Circle of Standing Stones, this Sanctuary of EarthReligion. And doing so in the old way. Realizing that the process, not the physical medium, is the message and the magic. And in so doing, we transform ourselves.

Somewhere is a high school yearbook from 1974, and written inside are the words "someday to build a Stone Circle." signed, Orren Whiddon. Stone Circles have been on the edge of my secret life for many years.

I began looking for the land to create Four Quarters in the spring of 1993 and found the land that fall. It was composed of two separate farms which, when combined, made for the beautiful completeness of the camp. A long process of negotiation for the two parcels was completed in the fall of 1994 and planning immediately began for the first Stones Rising, with a date set for late May of 1995. Work began to bring roads into the property and the grove which would become the site for the Stone Circle was prepared, while a long search was made to locate a quarry that could supply the large stone slab for the circle. We found M and S Quarries located in far western Maryland and they have been the supplier of stone for the Circle ever since.

The Circle of Standing Stones is actually an ellipse, 200 feet East to West and 160 feet North to South. In the spring of 1995 it was laid out in alignment with True North, with the North Altar and the first East Gate Stone raised that May at the first Stones Rising. As we lived through the summer with that single stone, we came to realize that the true North alignment did not rest well with the aspect of the site, and the ellipse was shifted 12 degrees West of North, to bring the Circle into alignment with the lay of the land. That has since been proven to be the right decision as we continue to add stones to the Circle.

The winter of 1995-96 was exceptionally hard one, with deep snow and ice. The region experiencing the worst-ever recorded flood in mid-January, which left the Alleghenies frozen with cover of ice. By March it seemed that spring would never arrive. Our quarry contacted us and explained that they were unable to bring their equipment into the iced-up mountaintop workings and might not be able to deliver stone in time for the second Rising. In early April of 1996 the members of The Assembly of the Sacred Wheel, a Delaware Church of Wicca, consecrated the entire circumference of the Circle and placed marker posts at the three remaining Quarters Gates. Their act was a much-needed encouragement to me at that time, as money grew tight, my marriage collapsed, and it seemed even the Stones could not be brought to the land.

In the beginning of May, with three weeks until the second rising, the quarrymen were finally able to bring their equipment into their workings, and I received the phone call I had been waiting for. When I arrived I found a most marvelously textured and colored 13 foot long slab of reddish sandstone, but marred by a crack running from its apex to its center. It was one of only three possible stones and we were running out of time. I spent the day at the quarry, unwilling to use stones that did not feel right and working out the alternatives.

There is a tradition among European Megalithism of Spirit stones or Portal stones. Large flat slabs that have been worked in such a way as to have a circular hole pierced through them. And of course the only way to stop a crack is to drill it through at its root. I conferred with the quarrymen drilling the stone was risky, it might shatter and there would be very little time.

The weekend before the second Stones Rising this stone and its consort arrived on the land and as we began to gently unload this new stone we were struck with wonder at what it had become. A thirteen foot tall slab of sandstone, with a red streak flowing from its apex to an eighteen inch diameter portal worked through the center of the stone. And as it was raised in ceremony, it was clear to all that the Mother Stone had come to the Land. That day, the Mothers and Fathers began bringing their young babies to be passed through this gateway in the Stone, and into our community. They have never stopped. The promise had been kept, three stones stood on the hilltop, and it was possible to believe that more would follow. We were on our way.

Those first two years we learned a lot about working with the Stones. What worked well and what just did not work at all. Just like the ancients, we wanted as much stone as possible above grade, and because our quarry rarely produces stones above 12 feet in length, from the first year we poured concrete foundations for the Stones to stand upon. We excavate below frost line and pour a footer, and mold in its top face a receiving slot designed to match the foot of each Stone. This is a delicate process when it comes to mounting the Stones, because they must be maneuvered into exact alignment with the receiving notch and then slowly raised upright. We have gained a great deal of experience in moving these large masses heavy machinery is not required and actually makes it more difficult. Long wooden pry beams, wood rollers and rope are our primary tools, and lots of willing muscle power make it happen. The right amount of energy placed in exactly the right way, and the Stones seem to almost move themselves. And when one tries to force them, they will not move at all.

Our first two years we did all of the moving and positioning of the Stones prior to Stones Rising, leaving the Stones reclining on supports, already mounted upon their concrete footers. During the ceremony of the Rising, the Stones were raised by the assembled people pulling on ropes tied directly to the Stones. This resulted in far more power being applied to the Stones than was necessary to raise them, human power that could not be directed or applied with focus. In 1996 this resulted in the restraining chains being pulled off their mountings, and for a few heart-thumping minutes, the Stones stood upright with nothing but the stone crews to keep them there while new restraints were placed. In 1997 we first used a large block and tackle, and we limited the number of people on the ropes by insisting that they take the morning workshop on the Stones. This worked quite well by allowing a much slower and more focused application of human energy to the Raising. In 1998 we felt confident enough of our abilities that we experimented with moving one of the four Stones on rollers from the High Meadow into the Circle and then placing and raising it, all as a part of the ceremonials. This worked beautifully and added much to the experience. For 1999 all of the Stones were moved over a quarter mile, by the stone crews using long tow lines and wooden rollers. They were brought into Circle, positioned on the footers and raised upright with over 150 people directly participating. The energetic effect was profound and set a clear direction for us in planning future ceremony.

Since the original writing of this article in 1998, the growth of The Stone Circle has increased in keeping with our Circle of Community. We mastered the art of moving large rocks, to the point of moving them over a mile from the Farmhouse in what became known as "The Long Pulls." For an extra challenge we sometimes do these long pulls's at night, in silence. The size of the stones increased up to our current 14,000 pounds, and with that increase we have designed and built new equipment to handle those new sizes. With over forty stones, the Circle is over one half complete.

And now, in 2010, I can look back through 16 years and see that Four Quarters as an organization has grown too, maturing into an InterFaith Institution of Earth Spirituality. In 1999 we began our first Wheel of The Year Calendar, and we now distribute 15,000 free copies each year. In 2005 we secured a commercial bank loan and purchased the Camp and Stone Circle, transferring The Land into perpetual stewardship. And in five years we have reduced the $150,000 mortgage to $50,000, through the donations of our Members. Many mile-stones passed.

A Beltaine 2013 we annouced in ceremony that all mortages had been retired, the Land now set aside in perpetuity. It has been a long road!

Perhaps the greatest milestone is that those first babies passed through the Mother Stone have now grown into young men and women. That young couples have met here on The Land, married within The Stone Circle, to then bring their own own spring born babes back to the Circle to be passed through The Mother Stone.

People ask when the Stone Circle will be finished, and of course I do not know. I am not sure I even know what "finished" would be. I have some idea when this first ring will be erected, perhaps in twenty years or so. But if the larger purpose behind this Circle is successful, then I doubt that it will stop with that one ring. There will be more. And I doubt that it will stop with this Circle. I hope not.

People ask me what the Stones represent and I ask in return "What do you see?" They mean as little or as much as that. They mean many things to many people and I can only speak to what they mean to me.

They speak to me of the core values of the human experience. Of the very real sacrifice that has been made by many people to bring the Circle this far and the greater sacrifices that will be required to carry the work on. They speak to me of the ceremony carried on within the Circle, ceremonial traditions from around the world finding a common home. Safe and Sacred Space. And the celebration of Spirit that comes as a natural part of sacrifice and ceremony.

But most importantly, they speak of people and community. Because in this modern world the Standing Stones cannot stand alone. Only people sharing themselves with each other can hold the Stone Circle safe into the future.

Imagine the world to be in 300 years, and the look in a child's eyes as they enter the Stone Circle for the first time. The Circle cared for and passed on from hand to hand and from person to person. Still to be there for that child's awe and wonder, long after we as the individuals of today have passed on and been forgotten.

Then we could say that our own work has been successful and the Circle will stand, complete.

Sacrifice, Ceremony and Celebration
Joining the World of Spirit and the World of Today
a Work of Years. Stone by Stone


Did ancient mankind know the secrets of Levitation?

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Did the ancients know the secrets of levitation?

Is it possible that our ancient ancestors knew the secrets of levitation? Technology that has since been lost in time and space?

Is it possible that great ancient civilizations like the ancient Egyptians, Olmec, Pre-Inca and Inca deciphered the secrets of levitation and other technologies that have been labeled by today’s society as impossible, mythological?

And if they did, is it possible that they used these ‘forgotten technologies’ to erect some of the most incredible ancient constructions on our planet?

There are dozens of amazing megalithic sites on our planet that defy our modern-day capabilities: Tiahuanaco, The Pyramids of the Giza plateau, Puma Punku, and Stonehenge among others. All of these sites were built using incredible blocks of stone that weight up to hundreds of tons, blocks of stone that our modern-day technologies have a hard time dealing with. So why did the ancient use such megalithic blocks of stone when they could have used smaller blocks and achieve a similar if not identical result?

Is it possible that ancient man possessed technologies that are lost today? Is it possible they had knowledge that surpasses our very own understanding? According to some researchers, it is possible that ancient man mastered the ‘art of levitation’ which allowed them to defy known physics and move and manipulate massive objects with extreme ease.

Tiahuanaco: defying modern-technology

13.000 feet above sea level stand the incredible ancient ruins of Tiahuanaco and its incredible ‘Sun Gate’. “La Puerta del Sol” or Sun Gate is an elaborately carved structure that is composed of stone blocks that weigh over ten tons. It is still a mystery how ancient managed to cut, transport and place these blocks of stone.

Temple of Jupiter Baalbek

The Temple of Jupiter located in Baalbek, Lebanon is another masterpiece of ancient engineering where huge blocks of stone were put together to form one of the greatest ancient sites on Earth. The foundation of the Temple of Jupiter contains three of the most massive stones ever quarried by mankind. The three foundation blocks together weigh 3.000 tons. If you ask yourself what type of vehicle would be used to transport them, the answer is NONE. Somehow, ancient man was able to quarry, transport and put them into place with such precision that not a single sheet of paper could fit in-between them.

At Baalbek, we have the ‘stone of the pregnant women’ which is one of the largest stones ever cut my mankind, with a weight of 1,200 tons.

Egyptian Pyramids: A mystery to mainstream science

The Egyptian pyramids are one of the ‘mission impossible’ constructions that have caused amazement among everyone who has had the opportunity to visit them. Even today, no one knows for a fact how ancient man was able to erect such marvelous structures. Mainstream science has proposed that it took a workforce of around 5000 men, working for twenty years to build them using ropes, ramps, and brute force.

Abul Hasan Ali Al-Masudi, known as the Herodotus of the Arabs wrote about how the ancient Egyptians built the pyramids in the distant past. Al-Mas’udi was an Arab historian and geographer and was one of the first to combine history and scientific geography in a large-scale work. Al-Masudi wrote about how ancient Egyptians transported the huge blocks of stone used to build the pyramids. According to him, a ‘magic papyrus’ was placed under each of the blocks of stone which allowed them to be transported. After placing the magical papyrus beneath the blocks, the stone was struck with a ‘metal rod’ that made the blocks of stone levitate and move along the path paved with stones and fenced on either side by metal poles. This allowed the stones to move for around 50-meters after which the process had to be repeated in order to get the blocks of stone to where they needed to be. Was Al-Masudi objective when he wrote about the pyramids? Or is it possible that just like many others, he was simply amazed by their magnificence, concluded that the ancient Egyptians must have used extraordinary means to construct the pyramids?

What if, levitation technology was present on Earth in the distant past and ancient civilizations like the Egyptians, Inca or Pre-Inca knew the secrets of levitation?

What if Levitation was possible in the past… but even today?

According to Bruce Cathie, in his Book ‘The Bridge to Infinity’, priests in a monastery high in the Tibetan Himalayas accomplished the feats of levitation. Here below are excerpts from a German article:

A Swedish doctor, Dr. Jarl… studied at Oxford. During those times he became friends with a young Tibetan student. A couple of years later, it was 1939, Dr. Jarl made a journey to Egypt for the English Scientific Society. There he was seen by a messenger of his Tibetan friend, and urgently requested to come to Tibet to treat a high Lama. After Dr. Jarl got the leave he followed the messenger and arrived after a long journey by plane and Yak caravans, at the monastery, where the old Lama and his friend who was now holding a high position were now living.

One day his friend took him to a place in the neighborhood of the monastery and showed him a sloping meadow which was surrounded in the north-west by high cliffs. In one of the rock walls, at a height of about 250 metres was a big hole which looked like the entrance to a cave. In front of this hole there was a platform on which the monks were building a rock wall. The only access to this platform was from the top of the cliff and the monks lowered themselves down with the help of ropes.

In the middle of the meadow. about 250 metres from the cliff, was a polished slab of rock with a bowl like cavity in the center. The bowl had a diameter of one metre and a depth of 15 centimeters. A block of stone was maneuvered into this cavity by Yak oxen. The block was one metre wide and one and one-half metres long. Then 19 musical instruments were set in an arc of 90 degrees at a distance of 63 metres from the stone slab. The radius of 63 metres was measured out accurately. The musical instruments consisted of 13 drums and six trumpets. (Ragdons).

Behind each instrument was a row of monks. When the stone was in position the monk behind the small drum gave a signal to start the concert. The small drum had a very sharp sound, and could be heard even with the other instruments making a terrible din. All the monks were singing and chanting a prayer, slowly increasing the tempo of this unbelievable noise. During the first four minutes nothing happened, then as the speed of the drumming, and the noise increased, the big stone block started to rock and sway, and suddenly it took off into the air with an increasing speed in the direction of the platform in front of the cave hole 250 metres high. After three minutes of ascent it landed on the platform.

Continuously they brought new blocks to the meadow, and the monks using this method, transported 5 to 6 blocks per hour on a parabolic flight track approximately 500 metres long and 250 metres high. From time to time a stone split, and the monks moved the split stones away. Quite an unbelievable task. Dr Jarl knew about the hurling of the stones. Tibetan experts like Linaver, Spalding and Huc had spoken about it, but they had never seen it. So Dr Jarl was the first foreigner who had the opportunity to see this remarkable spectacle. Because he had the opinion in the beginning that he was the victim of mass-psychosis he made two films of the incident. The films showed exactly the same things that he had witnessed.

Today we have made ‘technological’ advancements which are making possible objects levitate.

One of those examples is the ‘hoverboard’ by Lexus. The Lexus hoverboards use magnetic levitation which allows the artifact to remain in the air without friction. In addition to the incredible design of the Hoverboard, we see smoke coming out of it this is due to the liquid nitrogen used to cool down the powerful superconducting magnets that make its existence possible.

Is there a possibility that somehow, thousands of years ago, ancient mankind used a similar levitation technology that allowed them to transport huge blocks of stone without much difficulty?